Search results for "Audio description"
showing 10 items of 10 documents
For the use of sound. Film sound analysis for audio-description: some key issues
2012
This article aims to outline the issues involved in the production and reception of film sound with a view to identifying its challenges for audio-description (AD). It thereby hopes to provide insights into the way in which a careful analysis and integration of film sound and sound effects are required for the production of coherence in AD, if it is to function as part of a new filmic text. However, the article also points to the limits of analysis and interpretation, and to the need for reception research as well as collaboration with visually impaired users. A detailed analysis of a scene from Saving Private Ryan (Spielberg 1998), a film that won an Oscar for best sound effect editing, de…
Eye tracking analysis of minor details in films for audio description
2012
This article focuses on the many instances when minute details found in feature films may have direct implications upon the development of both the visual and plot narratives. The main question we would like to ask examines whether very subtle details which may easily go unnoticed by the viewer should be audio described. To assess the visual consciousness of such minute details, a perception experiment was conducted using eye-tracking technology and questionnaires. Though the result is not conclusive, it shows a clear methodological approach in the field of the audio description of visual details, and does give some indication as to what should be taken into consideration in future studies …
Introduction. Into the Translation for Museums, Festivals, and the Stage: Creativity and the Transmedial Turn
2022
With the objective of scrutinising general standards, specific criteria and levels of creativity applied to translation practices, especially in light of recent research in audiovisual consumption and reception, creativity and transcreation, and arts accessibility and translation for the arts, the special issue seeks to contextualise the numerous shifts within the artisitc sector in relation to the theoretical and practical challenges that our increasingly technological culture poses for the modes of translation and accessibility. Contributors shed light upon a variety of cultural areas where translation, often combined with creativity, intervenes to localise aesthetic products under the ne…
Multi-sensory approaches to (audio) describing the visual arts
2012
Making art accessible to blind patrons requires the ability to convey explicit and implicit visual messages through non-visual forms. Audio description is often seen as the best way to offer visual texts to blind people; however, one may query whether words alone are sufficient to convey the subtleties of art and to transport the emotional charge such works offer. It is a fact that the dialogue between words and touch may allow these particular “readers” to “see” art in its tangible forms, but perhaps more is needed if one is to give them the opportunity to live the art experience to the full. This article discusses different multi-sensory approaches to making art available to visually impa…
Introduction. The value of accessibility in the cultural and creative industries: Translation-driven settings
2020
This study focuses on the relationship between translation, accessibility and the cultural creative industries, as well as on the different varieties of genres included in these industries as cultures of accessibility. The accessibility of CCI has grown exponentially in different parts of the globe and has increasingly become part of projects of significant importance in contemporary societies that rely on informational, global, and networked systems of communication, i.e., developed countries. CCI exist within public-domain areas and are stimulated by the critical rethinking of the means which can be used to support cultural development. CCI are in fact driven by structures of the knowledg…
The audio describer as a cultural mediator
2017
AbstractAudio Description (AD) is a modality of audiovisual translation that consists of making cultural products accessible to people who are blind or partially-sighted. Our study focuses on the contrastive analysis of the AD of four films in English and Spanish, our objective being to determine how the same visual cultural reference is described in two languages and for two target cultures. Using a descriptive methodology, we categorise and analyse cultural references followingDíaz Cintas and Remael’s (2007)classification and determine the translation strategies used. Our research shows that the decisions that the describer makes are conditioned by the distance, not only geographical but …
A narratological approach to content selection in audio description: towards a strategy for the description of narratological time
2012
As more and more countries start to provide audio description services for a growing range of products and events, research into this new discipline is growing and diversifying as well. Two questions that seem to be at the heart of much of this research focus on what should be described and how this should be done, in other words on content selection and formulation of the description. The present article looks at the first of these two questions and approaches it from a narratological point of view. After a general discussion of the use of narratology for audio description, the focus will shift to one particular constituent of narrative, namely time. The different temporal aspects will be …
La formación del audiodescriptor en España. Situación actual y retos futuros
2020
El estudio que presentamos pretende describir el panorama actual de la formación en accesibilidad en España. A los cursos de posgrado universitarios sobre audiodescripción y subtitulado para sordos que se vienen ofreciendo hasta el momento, se suma el curso de especialización en accesibilidad recientemente aprobado por el Real decreto 94/2019. Una vez analizada la oferta formativa, analizamos las competencias que se pretende que adquiera el alumnado atendiendo a la clasificación de competencias que debe adquirir el “accesibilitador” (Díaz Cintas, 2007a). Los resultados indican que la accesibilidad se encuentra presente en numerosos cursos de posgrado, aunque se aborda de manera muy heterog…
Towards an Immersive and Accessible Virtual Reconstruction of Theaters from the Early Modern
2020
This paper reports on the work being done towards achieving an immersive and accessible reconstruction of Historical and Cultural Heritage, focusing on Theaters of the Early Modern as use case. In particular, the paper presents and discusses potential possibilities to enable: 1) the acoustical reconstruction of the virtual (lost) environments – beyond the graphical reconstruction for the buildings, elements and performances; 2) effective interaction features and navigation within the virtual environment (e.g. by means of adaptive interfaces, guiding methods, insertion of Point of Interest); and 3) accessible experiences, by means of an innovative and personalized presentation modes for acce…
Lyrics against images: music and audio description
2012
Music has been an integral part of films from as far back as the silent movie era, where a piano accompaniment was used to build the narrative and an orchestra was used to drown out the sound of the projector. Music in films can encompass a wide array of elements, from a song to a whistle, and can play many roles, as has been commented upon by many researchers. Due to the relevance of music in film narrative, it is an element which merits attention when it comes to making a film accessible, be it through Audio description, Audio subtitling, Sign Language or Subtitling for the Deaf and Hard-of-Hearing. This article focuses on Audio description (AD) and how music is handled in audio described…